Every ALTIREYA starts somewhere real.
A mountain. A valley. A trail. A route recorded during an adventure.
But turning that place into a physical object requires more than simply pressing "print".
Behind every piece is a process that combines geographical data, digital terrain modelling, GPS information, 3D design and additive manufacturing.
The result?
A small piece of the real world you can actually hold.
Every model begins by defining the landscape.
Once the location is selected, geographical elevation data is used to reconstruct the shape of the terrain.
Instead of working from a photograph, we work with information describing the actual elevation of the landscape.
High points become peaks.
Low points become valleys.
Ridgelines, slopes and surrounding formations begin to take shape.
At this stage, the landscape exists only as data.
The geographical information is transformed into a three-dimensional digital surface.
Thousands of elevation points work together to recreate the structure of the landscape.
The terrain is then carefully prepared for its final ALTIREYA format.
This includes selecting the appropriate area, adjusting scale, defining the boundaries and preparing the model so that the important characteristics of the original landscape remain recognizable.
We don't simply stretch a mountain until it fits.
Every terrain is treated individually.
This is where geography becomes personal.
If you provide a GPX file, the coordinates of your recorded journey can be aligned with the digital terrain.
A GPX file can contain the path recorded by a GPS watch, smartphone or compatible activity-tracking application during your hike, run, ride or other adventure.
Once positioned correctly, the route follows the landscape where your journey actually happened.
The result isn't a random line placed over a mountain.
It's your line across your landscape.
For custom GPX routes or special requests, you can contact us directly at hello@altireya.com.
A digital terrain and a physical object behave very differently.
Before printing, the model must therefore be prepared specifically for manufacturing.
Its dimensions, base, terrain detail and proportions are adjusted according to the selected product.
A Classic model needs to work as a standalone object.
A Framed model must fit naturally within its selected frame.
A Wooden Box model has to be adapted to the available internal dimensions of the box.
This stage bridges the gap between digital geography and physical design.
Once the 3D model is ready, it is prepared for the printer.
The digital terrain is divided into hundreds — and depending on the model, potentially thousands — of extremely thin horizontal layers.
The printer doesn't create the mountain all at once.
It creates one layer.
Then another.
Then another.
Slowly, the landscape begins to rise from the print surface.
Layer by layer. Contour by contour.
During 3D printing, material is precisely deposited according to the geometry of the digital model.
What started as elevation data now begins to develop real height and depth.
Valleys descend between ridges.
Peaks rise above the surrounding terrain.
Small topographic details begin appearing across the surface.
The printing process can take hours depending on the size, complexity and level of detail of the model.
But this slow construction is exactly what makes the process possible.
A landscape measured across kilometres can now exist within centimetres.
Look closely at an ALTIREYA and you'll notice something distinctive.
Fine lines follow the terrain across its surface.
These are created naturally during the 3D printing process as the model is constructed layer by layer.
We don't necessarily see them as something that needs to disappear.
They resemble the contour lines of a topographic map — except instead of representing elevation on paper, they form the elevation itself.
Digital contour lines become physical ones.
It's one of the details that gives every ALTIREYA its characteristic appearance.
Once printing is complete, the terrain is removed and prepared for its final form.
Depending on the selected product, the next steps are different.
The Classic keeps the terrain at the center of the design, creating a simple standalone landscape.
The Framed version is carefully positioned and mounted within its frame, creating a balance between three-dimensional terrain and minimalist negative space.
The Wooden Box is individually fitted to its selected box, combining the precision of the printed landscape with the natural texture and variation of wood.
Each format presents the same fundamental idea differently.
Before an ALTIREYA is ready, the finished piece is checked as a complete object.
The terrain, presentation and assembly are inspected so that the final piece represents the intended design.
3D printing and natural materials can introduce subtle variations between pieces.
Wood grain may differ.
Layer patterns can vary slightly.
And because every landscape has different geography, every terrain has its own structure.
That's part of what makes each ALTIREYA different.
FROM DATA TO FORM.
What begins as numbers describing elevation becomes a digital landscape.
The digital landscape becomes hundreds of layers.
Those layers become mountains.
And those mountains become something connected to a real experience.
Real terrain.
Real coordinates.
Your route.
Made physical.
YOUR JOURNEY. YOUR STORY. MADE PHYSICAL.